Tatyana Shcherbinina
Dear colleagues! I am glad to welcome you to my blog!
Within events in the Year of Ecology and dedicated to the date of birth of the wonderful children's writer, our group had a themed day" Bianki - we love and know"The children and I organized a mini-exhibition of works Bianchi V. V., read his stories and fairy tales, learned a lot of interesting things about the life of the forest and its inhabitants.
Love for nature is a natural feeling of every person. But there are people with some special love: in their presence the most capricious plants grow better, the most timid animals are not afraid of them. It seems that nature itself is just waiting for the moment to reveal its secrets to them. He was such a person Bianchi Vitaly Valentinovich, he revealed the secrets of nature and told them to us!
Works by Vitaly Bianchi They have a strong environmental focus. On the basis of his fairy tales and stories, one can cultivate love and respect for nature, teach to understand nature, its laws and characteristics.
Together with the parents, an exhibition of drawings based on the works of V. Bianchi.
I told the children about the writer, or rather, the children again listened with interest to the story about life and works of children's writer. IN. Bianchi. Our conversation took place near an exhibition of joint drawings by children and adults based on the author’s books.
In his books we can find funny fairy tales and fairy tales full of drama, stories about animals with a skillfully constructed plot and stories with almost no plot at all, full of poetry and lyrical reflection. His tales intertwine humor, simplicity and naturalness of speech, richness of language, and swift action. But these are not just fairy tales. These tales teach us not only to observe nature, but also to enjoy its beauty and take care of its riches.
IN. Bianchi knows how to arouse the reader's interest in the surrounding nature, in getting to know animals and birds. The writer involves the child in independently solving questions and riddles, teaches him to observe nature and reveal its secrets. The writer creates his works based on accurate scientific facts; all his characters have specific characteristics.
Therefore, books by V. Bianchi about nature - an encyclopedia of biological knowledge for children. This is an encyclopedia created by a scientist and writer who clearly understands the needs of his little reader.
And, indeed, children really like his stories and fairy tales. On this day, they shared their impressions of the works they read at home, and how they themselves chose the subject for the drawing from the story they liked.
Target: Create conditions for development creative potential children, parents and teachers in creating drawings from books Bianchi.
Tasks: To cultivate sincere interest and respect for the natural world based on the works of V.V. Bianchi; to form in children an emotional and figurative perception of works Bianchi about nature through artistic description of images; through the writer’s works, to promote in children good feelings, interest and love for animals, sympathy for children in trouble.
And it was replenished with new works every day.
Artem Gorshkov shares his impressions after reading the story “Mouse Peak” with his family.
Artem Kalinichenko and his mother created the image beloved birds - woodpeckers from the story "Teremok".
Children looked at the drawings with interest and recognized characters from V.V.’s books. Bianchi.
Ulyana Zakashchikova really liked the fairy tale “Whose nose is better.” Based on works Bianchi it is possible not only to educate moral, ethical and moral qualities, but provide knowledge about the structure, habits, and habitat of birds.
Dasha Chernobrova and her mother chose the image of a bird to draw from the fairy tale “Masters Without an Axe,” where main idea is that in nature everything is perfect. And birds have learned to use the capabilities of their body to the maximum and sometimes only with the help of their paws and beak create architectural wonders. The fairy tale teaches us that we need to study more carefully the world around us, which can give a person many useful ideas.
Karina Fedulova and her brother Kirill tried very hard and drew a picture from the story “The Owl.”
At the exhibition there was also a work by Vitya Glushchenko together with his grandfather; they took the story “The First Hunt” as a basis. Vitya retold the work to the children with particular interest. One of the most amazing properties of V.V.’s books. Bianchi is that they not only broaden your horizons. They teach to look, see and understand. They take you into the forest, into the field, even into the swamp. And if you give yourself a small gift (Bye) forest trip, then this can become the most important discovery for a child.
But Angelina Makarova really liked the cunning fox from the fairy tale “How the Fox Outwitted the Hedgehog.”
Artem Gorshkov told his peers why he chose the story “Mouse Peak.” This is a story about the adventures of a brave mouse who got into various troubles. His boat was sinking, an owl attacked him, but the little mouse did not lose his composure and endured all the trials with dignity. At the end of his adventure, the mouse fell into the hands of his brother and sister. This is not only an interesting, but also an educational story, as it allows us to look at the world through the eyes of our smaller brothers.
Yaroslav Shirshov and his mother also chose the story “Masters Without an Axe”; they drew swallows.
IN fairy tales there are no magic wands or walking boots, but there are no less miracles there. About the most unsightly sparrow Bianchi could say so that we only we are surprised: It turns out that he is not at all simple. The writer managed to find magic words, which showed the mysterious forest world.
In order to answer endless children's questions, you need to know enough about the world around you. And here, by the way, the works of Vitaly Valentinovich come in handy Bianchi.
Read books by children's writers about nature! Take care and protect nature!
Thank you all very much!
Publications on the topic:
Lesson summary using the presentation “For children about Vitaly Bianchi” State budget preschool educational institution kindergarten No. 4 of the general development type of the Petrodvortsovy district of St. Petersburg.
Our city is famous for Samovars. In Tula there is a Samovar Museum, where there is a samovar made of sugar, and the largest Samovar you can find.
Summary of an open integrated lesson on the fairy tale by V. Bianchi “How an ant hurried home” MUNICIPAL PRESCHOOL EDUCATIONAL INSTITUTION KINDERGARTEN No. 36, KOTROMA SYNOPSIS OF AN INTEGRATED CLASS (preparatory to school.
Summary of a lesson-conversation about book illustrations. Reading the story “May” by V. V. Bianchi Video Lesson summary of the Educational field " Speech development" in the preparatory group Topic: Conversation about book illustrations. Reading a story.
Having looked through the electronic catalogs of almost a hundred American libraries (mostly university ones) and found books by Vera Chaplina in 73 of them, we simultaneously came across this very interesting source of information:
Bulletin of the Children's Book Center of the University of Chicago Graduate Library School
Issued from 1947 to the present - 11 times a year. In each issue of the 1960s, 60-70 publications were annotated (on average about 700 were published per year), each book was given a conditional rating - according to one of six options:
R– recommended
Ad– additional book (of reasonable quality for collections needing more material in a given area)
M– a marginal book (so insignificant in content or has so many flaws in style or format that it should be carefully considered before purchasing)
NR– not recommended
SpC– special collection (the subject matter or author's perspective will limit the book to specialized collections)
SpR– special reader (a book that will attract only an unusual reader; recommended for a narrow circle)
With the exception of the preschool years, reading ranges are given by grade level, not by the child's age.
Positive assessments prevailed over negative and doubtful ones. For example, in the 1961 Bulletins, out of 816 publications reviewed, 302 received “R”, 246 received “Ad”, 165 received “M”, 87 received “NR”, 5 received “SpC”, 11 received “SpR”.
In the 1966 Bulletins – out of 663: 260 – “R”, 231 – “Ad”, 126 – “M”, 40 – “NR”, 2 – “SpC”, 4 – “SpR”.
In the 1969 Bulletins – out of 700: 304 – “R”, 248 – “Ad”, 100 – “M”, 42 – “NR”, 5 – “SpC”, 1 – “SpR”.
Each publication received not only a conditional rating, but also a brief summary that librarians and other professional American purchasers of children's books could use as a reference.
Particularly interesting are the annotations with the “NR” badge - even books by H.H. Andersen and S. Lagerlöf received such “black marks”! However, such harsh verdicts were handed down here not to the authors, but to the publishers - the abstract to Andersen’s book begins with a brief and expressive: It is to weep. (These are tears):
(Bulletin... December 1966)
Alas, another harsh “NR” was given in June 1966 to the book of Evgeniy Schwartz, and, in in this case specifically to the author... But first things first. (
Story for children younger age. Moscow, OGIZ-Young Guard, 1931. 12 p. with ill. Price 50 kopecks. In color publisher's lithographed cover. Very rare!
Vitaly Bianchi's book "Swamp" occupies a special place in the work of Yuri Vasnetsov. Published in 1931, it became the third book designed by the aspiring illustrator. The first was: Karabash / V. Bianchi; Rice. Yu. Vasnetsova. - Moscow; Leningrad: GIZ, 1929. – 70, 2 s. : ill. Graduate of Vkhutein (so in Soviet era renamed the St. Petersburg Academy of Arts) Yuri Vasnetsov had already completed “advanced training courses” with the famous Malevich in the 1920s, but did not see himself as an artist. Comrades - Charushin, Kurdov - were hooked: they found their place in illustrating books for children - they ended up with Lebedev in the Children's Department of Lengiz. Lebedev did not like what Vasnetsov showed. True, then he did make two books - “Karabash” by Bianchi (with the help of artist friends) (1929) and “About how Dad shot me a ferret” by Kharms (1930). But he didn’t express himself in them. “I didn’t surprise anyone, I didn’t shock anyone.” And Kurdov and Charushin have book after book: one is better than the other. I went to my native Vyatka... Then to my brother...
“That’s where it happened. Once I came across a small forest swamp and became interested: a wonderful life, unlike ours. I made sketches. Then I picked grass and various twigs, caught dragonflies, spiders, swimming beetles, some other flying and swimming little things without a name, collected snails, tadpoles, frogs, large and small. At home, he arranged housing for them between the window frames and laid grass. I filled the jars with water with change. His family laughed at him, but he drew and drew. First on whatman paper and on Alexandrian paper, then on whatever else was necessary - on wallpaper, on a newspaper, on book pages... He continued in Leningrad. He drew enthusiastically, with everything he could get his hands on, and mixed absolutely unimaginably: colored pencils, watercolors, oil paints, pastels, and gouache. Where it didn’t work out, I redrew it over it or stuck on patches and completed the drawing; he drew something separately and also glued it in the right place... he needed to draw an outline - he poked his finger into oil paint and spent. It was fun to work. Compositions from swamp life arose - a little strange, but they worked; he showed it to many, everyone also liked these dirty and worn-out sheets... He was used to being timid in front of Lebedev from the very first meeting and every time, before going up to the sixth floor of the House of Books and entering the room where Lebedev was sitting, he hesitated, suffered, sat for a long time in in the public garden near the Kazan Cathedral, and “my whole back was wet with fear.” And now - even more so. Now, in essence, there was nothing left to offer: what illustrations? to what? However, there was still a secret hope, because it was no coincidence that he compiled the results of his torment on sheets of the same size and exactly in proportions, very suitable for the book page ... "
And here we have a unique case. The book is out. The text - simple - was invented for it by Vitaly Bianchi - thank you, helped out - especially in order to somehow “explain” these strange illustrations.
“A short opening was added at the beginning of the book, for which we had to make two more drawings - with Ivashka. And the rest of the text fit on two pages at the end: not very cleverly, but there was simply nowhere else to put it. They came up with a name, also without any fuss – “Swamp”, and Vasnetsov drew a cover for it.”
Why did this happen? Vasnetsov’s drawings for the swamp are anti-polygraphic. But Lebedev always strictly demanded that artists comply with this same printing style. Just Vladimir Vasilievich “he was too good at being impeccably professional and harshly hammering professionalism into his students so as not to focus on it when faced with something extraordinary: professionalism will come, this is a gainable thing, and originality is a rarity.”
Yuri Vasnetsov throughout his long creative life was inspired primarily by examples of folk culture, colorful pictures of fairs, booths, folk festivals, first seen in childhood: “I remember Vyatka toys, willows, horse markets, painted arches, baskets, boxes, painted sleighs.” The artist did not immediately find his theme and his graphic style. The earliest works - illustrations for the poem by D. Kharms “About how dad shot me a ferret” (1930) and for “The Swamp” by V. Bianchi (1931) - testify to an intense search for an original design style, attempts to reconcile the peculiarities of one’s own worldview with lessons from the Academy and Malevich. Around the mid-1930s, Vasnetsov was firmly assigned the role of a storyteller. His approach to this genre is highest degree original: in decorative compositions there is always an element of understatement; an important role is played here by ornamentation, newly composed on the basis of historical models; even the most familiar everyday things are transformed by the artist’s imagination, since “in a fairy tale everything should be different.” The master turned to Russian folk tales (“Turnip”, 1936), and to the classics of children’s literature (“The Little Humpbacked Horse” by P. Ershov, 1935; “The Three Bears” by L. Tolstoy, 1935), and to the works of K. Chukovsky ( “Confusion”, 1934; “Stolen Sun”, 1936; “Fifty Little Pigs”, 1936). Extremely simple and clear in composition, bright and elegant in color, full of mischievous fantasy and naive faith in the reality of the events depicted, Vasnetsov’s illustrations were created as if in one breath; they gave rise to many superficial imitations. Meanwhile, the organic combination of folklore traditions and the discoveries of modern aesthetics required the greatest tact and serious creative efforts from the graphic artist. The appearance of each new cycle was preceded by a lot of preparatory work. Both Vasnetsov’s creativity and his manner of communication with colleagues often misled his contemporaries. “Few people know that the artist’s entire life was shrouded in the rebellious restlessness of his soul; he remained hidden from people who saw in him a sweet, merry fellow and joker.” The master, who never broke with painting, was merciless to himself, using dozens of options to achieve the desired sound of color. However, difficulties gave the artist an additional creative impulse: “I really love it when things don’t work out for me. I have such anger that I can work endlessly. I love this kind of zeal. It’s rare for me that a book turns out easy.” Lebedev's authority was indisputable for his student. “These different and even opposite people turned out to be connected for life. Cold Lebedev fell in love with Vasnetsov the artist. Their symbiosis remains inexplicable to me... Lebedev enslaved the gentle Yura and made him his novice. Until his old age, Vasnetsov brought drawings and books to his teacher for approval. Lebedev jealously watched all the actions of his ward and recent years life communicated only with Vasnetsov. Such was the union of two incompatibilities.”
Our bibliophiles know graphic artist Yuri Vasnetsov primarily as the illustrator of Daniil Kharms’ book about the ferret:
Vasnetsov, Yuri Alekseevich(1900-1973) - Russian Soviet artist; painter, graphic artist, theater artist, illustrator. Laureate of the USSR State Prize (1971). Born on March 22 (April 4), 1900 (old style) in the family of a priest in Vyatka (now Kirov region). His father served in the Vyatka Cathedral. A distant relative of the artists A.M. Vasnetsov and V.M. Vasnetsov and folklorist A.M. Vasnetsova. From his youth, and throughout his life, he was friendly with the artists Evgeny Charushin, who were born in Vyatka and later lived in St. Petersburg. In 1919 he graduated from the Second Level Unified School (formerly the Vyatka First Men's Gymnasium). In 1921 he moved to Petrograd. He entered the painting department of Vkhutein, then PGSHUM, where he studied for five years, with teachers A.E. Kareva, A.I. Savinova. Vasnetsov wanted to be a painter, and sought to acquire all the skills necessary to work in painting. Vasnetsov did not adopt anything from the experience of his teachers that would influence him as a painter - with the exception of the influence of M.V. Matyushin, with whom he did not directly study, but was familiar with him through his friends - the artists N.I. Kostrova, V.I. Kurdova, O.P. Vaulina. Through them he gained an understanding of Matyushin’s theory and became acquainted with the “organic” trend in Russian art, which was closest to his natural talent. In 1926, at VKHUTEIN, the course in which the artist studied was graduated without defending a diploma. In 1926-27 taught for a while fine arts at Leningrad school No. 33. In 1926-1927. together with the artist V.I. Kurdov, he continued his studies in painting at GINKHUK under K.S. Malevich. He was accepted into the Department of Painting Culture, headed by Malevich. He studied the plasticity of cubism, the properties of various pictorial textures, and created “material selections” - “counter-reliefs”. The artist spoke about the time of his work at GINKHUK: “All the time the eye was developing, form, construction. I liked to achieve materiality, texture of objects, color. See the color! Vasnetsov’s work and training with K.S. Malevich in GINKHUK lasted about two years; During this time, the artist studied the meaning of pictorial textures, the role of contrast in the construction of form, and the laws of plastic space. Paintings made by Vasnetsov during this period: counter-relief “Still Life with a Chessboard”, 1926-1927; “Cubist composition”, 1926-28, “Composition with a trumpet” 1926-1928; "Still life. In Malevich's workshop" 1927-1928; “Composition with a violin” 1929, and others.
In 1928, the art editor of the Detgiz publishing house, V.V. Lebedev invited Vasnetsov to work on a children's book. The first books illustrated by Vasnetsov were “Karabash” (1929) and “Swamp” by V.V. Bianchi (1930). Vasnetsov’s designs were repeatedly published in large quantities in many books for children - “Confusion” (1934) and “The Stolen Sun” (1958) by K.I. Chukovsky, “Three Bears” by L.N. Tolstoy (1935), “Teremok” (1941) and “Cat’s House” (1947) by S.Ya. Marshak, “English folk songs” translated by S.Ya. Marshak (1945), “Cat, rooster and fox. Russian fairy tale" (1947) and many others. Illustrated “The Little Humpbacked Horse” by P.P. Ershov, books for children by D.N. Mamin-Sibiryak, A.A. Prokofiev and other publications. Vasnetsov's children's books have become classics of Soviet book art. In the summer of 1931, together with his Vyatka relative, artist N.I. Kostrov, made a creative trip to the White Sea, to the village of Soroki. Created a series of picturesque and graphic works"Karelia". In 1932 he became a member of the Leningrad branch of the Union of Soviet Artists. In 1934 he married the artist Galina Mikhailovna Pinaeva, and in 1937 and 1939 his two daughters, Elizaveta and Natalya, were born.
In 1932, he entered graduate school at the painting department of the All-Russian Academy of Arts, where he studied for three years. In the thirties, Vasnetsov's painting achieved high skill and acquired an original, unique character, not similar to the work of artists close to him. His painting of this time is compared with the works of V.M. Ermolaeva and P.I. Sokolov - by the strength and quality of painting, by the organic element of color: “Vasnetsov preserved and increased the achievements of the original national pictorial culture.” In 1932-1935. Vasnetsov painted the canvases “Still Life with a Hat and a Bottle”, “Miracle Yudo Fish Whale” and other works. In some of these works - “Lady with a Mouse”, “Church Warden” - an image of merchant-philistine Russia, well known to the artist, appears, comparable to the images of merchants’ women in A. Ostrovsky and B. Kustodiev.
Some researchers (E.D. Kuznetsov, E.F. Kovtun) consider these works to be the peak achievements in the artist’s work. In 1936, he designed costumes and sets for the play based on M. Gorky’s play “The Bourgeois” for the Bolshoi Drama Theater in Leningrad. In 1938-40. worked in the experimental lithographic workshop at the Leningrad Union of Artists. Author of greeting cards (1941-1945). Vasnetsov's pre- and post-war style book graphics was created under the pressure of ideological circumstances. Having survived the stubborn pressure of socialist realism, Vasnetsov replaced it with a style associated with Russian folk art, or so it was believed, although there was a lot of market model in it. Some stylization was acceptable. Clear and unrelated to formalism, it was not perceived conventionally... Folk, market embroidery.
All this, together with the real landscape, gradually freed him from the nickname of a formalist. In 1941 he was a member of the group of artists and poets “Combat Pencil”. At the end of 1941 he was evacuated to Perm (Molotov). In 1943 he moved from Perm to Zagorsk. He worked as the chief artist of the Toy Research Institute. Created a series of landscapes of Zagorsk. At the end of 1945 he returned to Leningrad. In 1946 he received the title of Honored Artist of the RSFSR. In the summer of 1946 he created a number of landscapes of Sosnovo, in 1947-1948. - Melnichny Ruchey, in 1949-1950. Siverskaya, in 1955 - Mereva (near Luga), in 1952 he painted a number of Crimean landscapes, in 1953-54. paints Estonian landscapes. Since 1959, he annually travels to his dacha in Roshchino and writes views of the surrounding area. From 1961 until the end of his life he lived in house No. 16 on Pesochnaya Embankment in St. Petersburg. In 1966 he received the title folk artist RSFSR. In 1971, Vasnetsov was awarded State Prize USSR for two collections of Russians folk tales, songs, riddles “Ladushki” and “Rainbow-arc”. In the same year, the cartoon “Terem-Teremok” was filmed based on his drawings. Paintings from the 1960s and 70s. - mainly landscapes and still lifes (“Still life with willow”, “Blossoming meadow”, “Roshchino. Cinema “Smena”). Throughout his life, Vasnetsov worked in painting, but due to accusations of formalism, he did not exhibit his works. They were presented at exhibitions only after his death. Died May 3, 1973. He was buried in St. Petersburg at the Bogoslovskoye cemetery.
On the 1st page of the cover: a drawing for the story by V. Zhuravleva “Flying through the Universe.” On the 2nd page of the cover: drawing by P. Pavlinov for the story by Y. Popkov and V. Smirnov “Trust in the lighthouses!” On page 4 of the cover: “Steps of the seven-year plan.” Photo by V. Dunin from the exhibition “Seven Year Plan in Action”.
ESID - loyalty verification machine Stanislav Lem
S. Lem's first publication in Russian. Drawings for the story - E. Vedernikov. That’s exactly what the name says – “loyalty”. According to the Ushakov dictionary (1935-1940) this is the main correct option, in the TSB dictionary (1969-1978) it is already an acceptable second spelling option. © fantlab.ru
World of Adventure 1962. Annual collection of fantastic... A. Kazantsev
World of Adventures No. 7: Collection of fantastic and adventure stories and stories / Moscow: Children's literature, 1962. CONTENTS: A. Kazantsev. Grandchildren of Mars. Drawings by G. Makarov……3. G. Golubev. Following the wind. Drawings by E. Meshkov……81. E. Ryss. Sorcerer Island. Drawings by M. Khablenko……131. O. Berdnik. Path of the Titans. Drawing by O. Korovin……205. S. Gansovsky. The owner of the bay. Drawing by I. Prager……253. A. Kuleshov. Woven rings. Drawing by L. Durasov……264. Yu. Davydov. Forgotten travelers. Drawing by Yu. Rakutin……285. N. Koroteev. On the other side of the fire. Drawing by L. Durasov……301.…
WORLD OF ADVENTURE 1961. Annual collection of fantastic... Arkady Strugatsky
Annual collections of adventure and science fiction novels and stories by Soviet and foreign writers have been published by the publishing house "Children's Literature" since 1955 FOR MIDDLE AND OLDER AGES. CONTENTS: AL. POLESCHUK. Engineer Alekseev's mistake. Science fiction story. Drawing by N. Kolchitsky... 3. ARKADY STRUGATSKY, BORIS STRUGATSKY. A well-maintained planet. Science fiction story. Drawing by A. Itkin... 64. VIKTOR MIKHAILOV. Black Brama. Tale. Drawings by G. Makarov... 78. S. GANSOVSKY. Steps into the unknown. Fantastic story...
Novels and stories by Vitaly Bianchi
In the book you are holding in your hands, the world-famous, invariably relevant and popular “Forest Newspaper” by Vitaly Bianchi is combined with his best stories and stories created by the writer for children and adults who “have preserved their childish selves in their souls.” True and entertaining stories about forest dwellers and hunting are touching and instructive. What do footprints in the snow mean, why white partridges gather around the fire at night and where did the golden gull come from - Vitaly Bianki will help you unravel these and many other mysteries of nature.
Human trace Nikolay Moskvin
Some time ago I followed the trail of a man. Having reached almost the end, I learned that I was not alone: someone else was making their way along the same path. I returned to now follow two tracks, considering both of them interesting for myself. I had to walk slower than before, and looking closely... This is what I want to talk about. N.M.
The Canterbury Tales Geoffrey Chaucer
« Canterbury Tales"by the English poet Geoffrey Chaucer (1340? - 1400) is one of the first literary monuments in a single common English language. The book clearly demonstrated the remarkable qualities of Chaucerian humanism: optimistic life-affirmation, interest in a specific person, a sense of social justice, nationality and democracy. The Canterbury Tales is a framed collection of short stories. Taking as a basis the pilgrimage to the tomb of St. Thomas Becket in Canterbury, Chaucer painted a broad canvas of English reality...
The lives of remarkable people: Tales and stories Vyacheslav Pietsukh
Everyone enjoys communicating with a wonderful person, even if he (or she) is no longer in this world. You can talk mentally, or even write a letter... So to speak, into space and eternity. But, most importantly, you should remember that wonderful people sometimes meet in completely unexpected places. For example, in the next apartment. And the fact that every village in our country has its own wonderful thing is a verified fact. Want to make sure? Read the stories that Vyacheslav Pietsukh wrote down for you - also, by the way, absolutely wonderful! The collection includes the following...
Stories by Yuri Sotnik
The book includes famous stories written by Yuri Sotnik in different years. These stories are sometimes funny, sometimes sad, but always very instructive. The collection includes the following stories: - An unprecedented bird - "Archimedes" by Vovka GRushin - "Feudal lord" Dimka - Trainers - Researchers - A man without nerves - Newsreel - White rat - Swimming teacher - Viper - How I was independent - All my hope is in you - Dudkin witty - Mask - The artilleryman's granddaughter
Bad omens (story) Viktor Pronin
A master of a sharp plot, twisted intrigue, precise and therefore convincing details, just remember the famous “Voroshilov Shooter” or the unsurpassed crime saga “Gang”, Victor Pronin has an excellent command of the difficult genre of the story. In his stories there is room for a clever detective puzzle, a lyrical narrative about the difficult relationship between a man and a woman, and an exploration of the paradoxes of human character. In a word, life is an unpredictable thing, because you never know what awaits you in any...
A world of adventure. Annual collection of fantastic… Kir Bulychev
World of Adventures: Collection of fantastic and adventure stories and stories / Comp. I.B. Shustova; Artist V.M. Lykov. - Moscow: Children's literature, 1988. - 607 pp. CONTENTS: Evgeny Veltistov. New adventures Electronics. Fantastic story... 3. Kir Bulychev. Guy-do. Fantastic story... 82. Eleanor Mandalyan. Tsutsu, who was called Angela. Meeting on Galactoid. Fantastic stories... 199. Liliya Nemenova. Puppy from the constellation Canes Venatici. Fantastic story... 261. Lyubov Fomintseva. Sungir horse. Adventure story... 348....
World of Adventures 1959. Annual collection of fantastic… Undefined Undefined
Stories from the Right Shoe (collection) Alexander Rudazov
There is a topic that writers don't like to talk about. Namely, where do ideas and stories come from? Usually they either deny that they are simply making it up themselves, or they begin to nod about some kind of inspiration coming from above. But the truth is that no writer writes anything himself. There are completely different creatures working here. For example, some of the books were dictated to me by a creepy guy in a yellow mask, some were purred by a kitten with a gold chain around his neck, and the stories included in this collection were written by a little green goblin who lives in my right shoe.…
CONSTELLATION. Collection of science fiction... Alexander Zhitinsky
Constellation. Collection of science fiction stories and novellas. Compiled by A.I. Plyusnina. Afterword by E. Brandis and V. Dmitrevsky. Drawings by L. Rubinstein. Leningrad, “Children's Literature”, 1978. - 351 pp., ill. The authors of the works included in the collection research moral issues societies of the future, think about alien civilizations, about the powerful technology of tomorrow. FOR MIDDLE AND OLDER AGES
WORLD OF ADVENTURE No. 3. 1957 (Annual collection... Ivan Efremov
Annual collections of adventure and science fiction novels and stories by Soviet and foreign writers have been published by the publishing house "Children's Literature" since 1955. For older ages. CONTENTS: Nikolay Atarov. Death under a pseudonym. Novel. Drawings by V. Trubkovich... 3. E. Ryss and L. Rakhmanov. House on the swamp. Tale. Drawings by A. Volkov and E. Gavrinkevich... 109. G. Grebnev. Lost treasures. Tale. Drawings by N. Polivanov... 187. N. Roshchin. Between Niger and Senegal. Tale. Drawings by I. Arkhipov... 265. Ilya Zverev. Extraordinary circumstances. Tale...
World of Adventures 1959. Collection of fantastic... G. Matveev
World of Adventures No. 5: Collection of fantastic and adventure stories and stories / Leningrad: Children's literature, 1959. CONTENTS: G. Matveev. After the storm. Tale. Drawings by V. Orlov....3. E. Andreeva. Treasure Island. Essay. Drawings by A. Skalozubov....81. F. Zubarev. On the road. Story. Drawings by L. Selizarova....95. In the land of animals. Translation by V. Golant....104. F. Zubarev. Andreyka. Story. Drawings by V. Scriabin....105. Contemporary of dinosaurs. Translation by V. Golant....114. In the wilds of New Guinea. Translation by V. Golant....116. Angry rhinoceroses. Translation by V. Golant....118. G. Martynov. Sister of the Earth. The story...
QUINX, or the Ripper's Tale by Lawrence Durrell
“Quinx, or the Ripper's Tale” (1985) is the fifth and final book in the “Avignon Quintet” series by the recognized classic of 20th-century English literature Lawrence Durrell, whose work has found many admirers in Russia. Using individual techniques and motifs of the famous “Alexandria Quartet,” the author completes the story about the fate of his heroes. Despite all the disappointments and tragedies, sometimes shrouded in mystical secrets, they try to find peace of mind and the lost meaning of life. The answers to many questions are hidden in prophecies...
Ekaterina Marzhina
“How many patient hours have I spent
In light huts made from ship baskets,
Dried mud and branches, watching the birds,
Invisible to birds!
(Vitaly Bianki)
Books Vitaly Valentinovich Bianchi about the forest and its inhabitants, informative, kind and poetic, like nature itself. For several decades now they have been raising children love for our smaller brothers, careful attitude To native nature- qualities that are established in childhood and produce good results in adulthood.
For 35 years creative work Bianchi created more than 300 stories, fairy tales, novellas, essays and articles. All his life he kept diaries and naturalistic notes, and answered many letters from readers. His works have been published in a total circulation of more than 40 million copies and translated into many languages of the world.
We present to your attention several stories based on stories"Eyes and Ears", "Where the crayfish spend the winter", "The Fox and the Mouse", "The Sly Fox and the Smart Duck", "Mouse Peak", "Kuzyar-Chipmunk and Inoika-Bear"
Have fun coloring!
