Characteristics of the main characters of the comedy undergrowth. “Undergrowth” - a play by D. I. Fonvizin. Analysis of the work, main characters Characteristics of the main characters undergrowth with quotes

The satirical work of Fonvizin does not lose its relevance to this day. The names of the main characters Mitrofan, Prostakova, Skotinin became common nouns, and phrases from the comedy were winged. Quotes characterizing the heroes of the comedy "Undergrowth" will help the reader to better understand what this or that character is in this work. Some quotes have become quite firmly established in everyday speech, thanks to their brightness, capacity and topicality.

famous comedy lines

"I don't want to study - I want to get married." Mitrofan's phrase addressed to his mother. In life, they apply to those young people who have the wind in their heads. Whose life is one continuous entertainment and pleasure. None of them even think about studying or working.

"And then you'll get married." Having entered into a marriage union on mutually beneficial terms, you can no longer worry about your future. A kind of marriage of convenience, not love.

"Don't do business, don't run away from business." So they say about those people who are irresponsible about work, but only create the appearance of it in the workplace.

"Cash is not cash value." The presence of money still does not say anything, and even more so automatically cannot make a person good in the eyes of others.

"Beleny ate too much." This phrase can be attributed to those people who commit inadequate acts, stupid things that cannot be rationally explained.

QUOTATIONS BY CHARACTER

Pravdin

The direct dignity in man is the soul.

I was born in Moscow, if you need to know, and my villages are in the local governorship.

Excuse me, ma'am. I never read letters without the permission of those to whom they are written.

Moreover, from my own feat of my heart, I do not leave to notice those malevolent ignoramuses who, having full power over their people, use it for evil inhumanely.

I caress, however, to soon put limits on the wickedness of the wife and the stupidity of the husband. I have already informed our chief of all the local barbarisms, and I have no doubt that measures will be taken to appease them.

I am instructed to take custody of the house and villages at the first rabies, from which the people subject to it might suffer.

I beg your pardon for leaving you.

When only cattle can be happy among you, then your wife will have poor peace from them and from you.

Starodum

An ignoramus without a soul is a beast.

For the whims of one person, all of Siberia is not enough.

The direct dignity in man is the soul. Without her, the most enlightened smart girl is a miserable creature.

An honest man must be a perfectly honest man

Not the rich one who counts out money to hide it in a chest, but the one who counts out extra money in order to help someone who does not have what he needs.

Everyone should seek his happiness and benefits in the one thing that is lawful.

Have a heart, have a soul, and you will be a man at all times.

I left the court without villages, without a ribbon, without ranks, but brought mine home intact, my soul, my honor, my rules.

It is much more honest to be bypassed without guilt than to be granted without merit.

Milon

I see and honor virtue adorned with enlightened reason.

I am in love and have the happiness of being loved.

The judge, who, fearing neither vengeance nor strong threats, gave justice to the helpless, is in my eyes a hero.

At my age and in my position, it would be unforgivable arrogance to consider everything deserved by which a young man is encouraged by worthy people.

Sofia

Uncle! My true happiness is that I have you. I know the price.

I will use all my efforts to earn the good opinion of worthy people.

How many sorrows have I endured since the day of our separation! My shameless in-laws.

I was now reading a book ... French. Fenelon, on the education of girls.

Mitrofanushka

I don't want to study, I want to get married!

Yes, all sorts of rubbish climbed into my head, then you are a father, then you are a mother.

Beleny ate too much.

I will learn; just to have it in last time and to be in agreement today!

Well, say another word, you old bastard! I'll get you off.

Yes, get off my mother, how imposed!

For me, where they say!

The main characters of the comedy "Undergrowth"

Building Character Prostakova, D. I. Fonvizin conveys the complexity and inconsistency of human nature. The playwright seeks to render "a service to humanity" by showing him what the nature of a person is, even an insignificant, evil one, who enjoys his right to offend other people. Hating slavery, despising the feudal lords, D. I. Fonvizin loved a person, grieved when he saw desecration of him, in whatever forms it manifested itself.

Prostakova - a rude, despotic and at the same time cowardly, greedy and vile nature, being the brightest type of Russian landowner, at the same time revealed as an individual character - the cunning and cruel sister of Skotinin, a power-hungry, prudent wife who tyrannizes her husband, a mother who loves without the mind of his Mitrofanushka. And this individual characteristic allows us to show all the terrible, disfiguring power of serfdom. All the great, human and holy feelings of Prostakova are distorted. That is why even love for her son - Prostakova's strongest passion - is unable to ennoble her feelings, for it manifests itself in base, animal forms. Her maternal love is devoid of human beauty and spirituality.

The denouement, to which D. I. Fonvizin brings the comedy, was conditional. Actions Pravdina, of a government official who carried out the will of the “highest authority” were not confirmed by the Russian reality of that time. They reflected only the moods and aspirations of a certain part of the enlightened nobility and therefore were perceived as advice to the government on a possible way to regulate relations between landowners and peasants. Because of this, the image of Pravdin in the comedy had not a real, but a conditional, ideal character.

The image is more vital Starodum. But he also represents a rare phenomenon among the nobility, judging by the attitude of Pravdin, Milon, Sophia towards him. They see in him not an ordinary nobleman, but a person with special "rules". And indeed it is. The image of Starodum is connected in comedy with the expression of the ideas of that part of the progressive nobility, which was in opposition to the rule of Catherine, condemned her actions. Outwardly, Starodum's dialogues with positive characters based on the discussion of moral issues and education, but in terms of the issues raised in them and the coverage of various aspects of public life, they were wider and contained criticism of the depravity of the modern court (“crowds of stingy flatterers”), condemnation of the monarch, whose soul is not always “great”, “to take the path of truth and never turn away from her." The indignation was caused by the abuse of serfdom (“to oppress one's own kind without law”), the oblivion of the first estate of their duties.

Although Starodum and Pravdin could not realize their ideals in social practice, their judgments, taken together, made the comedy ideologically consonant with political tragedy. This was the new thing that the playwright introduced with the images of Starodum and Pravdin into the structure of The Undergrowth. Comedy was given a socio-political orientation.

Denis Fonvizin's immortal comedy "Undergrowth" is an outstanding work of Russian literature of the 18th century. Bold satire and truthfully described reality are the main components of the skill of this writer. Centuries later, every now and then modern society heated debates emerge about the main character of the play, Mitrofanushka. Who is he: a victim of improper upbringing or a vivid example of the moral decay of society?

The comedy "The Brigadier" written by Fonvizin, which had a stunning success in St. Petersburg, became the basis of one of the world's greatest literary monuments. After its publication, the writer did not return to dramaturgy for more than ten years, more and more public affairs and tasks. However, the idea of creating a new book excited the author's imagination. Let's not hide the fact that, according to scientists, the first note related to the "Undergrowth" was started back in the 1770s, long before its publication.

After a trip to France in 1778. the playwright had an exact plan for writing the future work. Interesting fact- Mitrofanushka was originally Ivanushka, which by itself spoke of the similarity of the two comedies (Ivan was a character in The Brigadier). In 1781 the play was completed. Of course, staging this type meant highlighting one of the most problematic issues of the noble society of that time. However, despite the risk, Fonvizin became the direct "instigator" of the literary revolution. The premiere was postponed due to the empress's dislike for any satire, but it nevertheless took place on September 24, 1782.

Genre of the work

COMEDY is a type of drama in which a moment of effective conflict is specifically resolved. It has a number of features:

does not entail the death of one representative from the warring parties;
aimed at "nothing carrying" goals;
The story is lively and vivid.

Also in the work of Fonvizin, a satirical orientation is obvious. This means that the author set himself the task of ridiculing social vices. This is an attempt to disguise life's problems under the guise of a smile.

"Undergrowth" is a work built according to the laws of classicism. One story line, one place of action, and all events occur within a day. However, this concept is also consistent with realism, as evidenced by individual objects and places of action. In addition, the characters very much resemble real landowners from the hinterland, ridiculed and condemned by the playwright. Fonvizin added something new to classicism - merciless and sharp humor.

What is the piece about?

The plot of Denis Fonvizin's comedy "Undergrowth" revolves around a family of landowners, which is completely mired in immorality and tyranny. Children became like rude and limited parents, from which their idea of morality suffered. Sixteen-year-old Mitrofanushka is struggling to finish his studies, but he lacks the desire and ability. The mother looks at it through her sleeves, she does not care if her son develops. She prefers everything to remain as it is, any progress is alien to her.

The Prostakovs “sheltered” a distant relative, the orphan Sophia, who differs from the whole family not only in her outlook on life, but also in her good manners. Sophia is the heiress of a large estate, which Mitrofanushka's uncle, Skotinin, who is a great hunter, “looks at” as well. Marriage is the only available way to take possession of Sophia's household, so the relatives surrounding her are trying to persuade her to a profitable marriage.

Starodum - Sophia's uncle, sends a letter to his niece. Prostakova is terribly unhappy with such a "trick" of a relative who was considered dead in Siberia. The deceit and arrogance inherent in her nature is manifested in the accusation of a "fraudulent" letter, allegedly "amorous". Illiterate landowners will soon find out the true content of the message, resorting to the help of the guest Pravdin. He reveals to the whole family the truth about the left Siberian inheritance, which gives as much as ten thousand annual income.

It was then that Prostakova came up with an idea - to marry Sophia to Mitrofanushka in order to appropriate the inheritance for herself. However, officer Milon "breaks into" her plans, walking through the village with soldiers. He met with an old friend, Pravdin, who, as it turned out, was a member of the governor's board. His plans include watching the landowners mistreating their people.

Milon talks about his long-standing love for a sweet lady who was transported to an unknown place due to the death of a relative. Suddenly he meets Sophia - she is the same girl. The heroine tells about her future marriage with the undergrowth Mitrofanushka, from which the groom “flares up” like a spark, but then gradually “weakens” when detailed story about "narrowed".

Sophia's uncle arrived. Having met Milon, he accepts Sophia's choice, while inquiring about the "correctness" of her decision. At the same time, the Prostakovs' estate was transferred to state custody due to the cruel treatment of the peasants. Looking for support, the mother hugs Mitrofanushka. But the Son did not intend to be courteous and polite, he is rude, which makes the venerable matron faint. Waking up, she wails: "I died completely." And Starodum, pointing to her, says "Here are worthy fruits of evil-mindedness!".

Main characters and their characteristics

Pravdin, Sofya, Starodum and Milon are representatives of the so-called "new" time, the Enlightenment. The moral components of their souls are nothing but goodness, love, craving for knowledge and compassion. The Prostakovs, Skotinin and Mitrofan are representatives of the "old" nobility, where the cult of material well-being, rudeness and ignorance flourish.

The minor Mitrofan is a young man whose ignorance, stupidity and inability to adequately analyze the situation do not allow him to become an active and reasonable representative of the noble community. “I don’t want to study, but I want to get married” is a life motto that fully reflects the character of a young man who does not take anything seriously.
Sophia is an educated, kind girl who becomes a black sheep in a society of envious and greedy people.
Prostakova is a cunning, careless, rude woman with many flaws and a lack of love and respect for all living things, except for her beloved son Mitrofanushka. The upbringing of Prostakova is only a confirmation of the persistence of conservatism, which does not allow the development of the Russian nobility.
Starodum brings up "his little blood" in a different way - Sophia is no longer for him Small child, but a formed member of society. He gives the girl freedom of choice, thereby teaching her the right basics of life. In it, Fonvizin portrays the type of personality that has gone through all the “ups and downs”, while becoming not only a “worthy parent”, but also an undoubted example for the future generation.
Skotinin - just like everyone else, is an example of " speaking surname". A person whose inner essence is more like some rough, uncouth cattle than a well-mannered person.

Theme of the work

The upbringing of the "new" nobility is the main theme of the comedy. “Undergrowth” is a kind of allusion to the “disappearing” moral principles in people who are afraid of transformation. The landowners bring up their offspring in the old fashioned way, without paying due attention to their education. But those who were not taught, but only spoiled or intimidated, will not be able to take care of either their families or Russia.
Family theme. The family is a social institution on which the development of the individual depends. Despite Prostakova's rudeness and disrespect towards all residents, she cherishes her beloved son, who does not at all appreciate her care or her love. Such behavior is a typical example of ingratitude, which is a consequence of spoiled and parental adoration. The landowner does not understand that her son sees her treatment of other people and repeats exactly that. So, the weather in the house determines the character of the young man and his shortcomings. Fonvizin emphasizes the importance of maintaining warmth, tenderness and respect in the family towards all its members. Only then will children be respectful and parents worthy of respect.
The theme of freedom of choice. The "new" stage is Starodum's relationship with Sophia. Starodum gives her freedom of choice, not limiting her to her beliefs, which can affect her worldview, thereby educating her in the ideal of a noble future.

Main problems

The main problem of the work is the consequences of improper upbringing. The Prostakov family is a family tree that has its roots in the distant past of the nobility. This is what the landlords boast about, not realizing that the glory of their ancestors does not add to their dignity. But class pride clouded their minds, they do not want to move forward and achieve new achievements, they think that everything will always be the same as before. That is why they do not realize the need for education; in their world enslaved by stereotypes, it really is not needed. Mitrofanushka will also sit all his life in the village and live off the labor of his serfs.
The problem of serfdom. The moral and intellectual decay of the nobility under serfdom is an absolutely logical result of the unjust policy of the tsar. The landlords are completely lazy, they do not need to work to provide for themselves. Managers and peasants will do everything for them. With such a social structure, the nobles have no incentive to work and get an education.
The problem of greed. The thirst for material well-being blocks access to morality. The Prostakovs are obsessed with money and power, they don’t care if their child is happy, for them happiness is a synonym for wealth.
The problem of ignorance. Stupidity deprives the heroes of spirituality, their world is too limited and tied to the material side of life. They are not interested in anything but primitive physical pleasures, because they do not know anything else at all. Fonvizin saw the true "human appearance" only in the person who was brought up by literate people, and not by half-educated deacons.

comedy idea

Fonvizin was a personality, therefore he did not accept rudeness, ignorance and cruelty. He professed the belief that a person is born with a “clean slate”, therefore only upbringing and education can make him a moral, virtuous and intelligent citizen who will benefit the fatherland. Thus, the chanting of the ideals of humanism is the main idea of The Undergrowth. A young man who obeys the call of goodness, intelligence and justice - that's a true nobleman! If he is brought up in the spirit of Prostakova, then he will never go beyond the narrow limits of his limitations and will not understand the beauty and versatility of the world in which he lives. He will not be able to work for the good of society and will not leave anything significant behind him.

At the end of the comedy, the author speaks of the triumph of "retribution": Prostakova loses the estate and the respect of her own son, who was brought up in accordance with her spiritual and physical ideals. This is the price of wrong education and ignorance.

What does it teach?

Comedy Denis Fonvizin "Undergrowth", above all, teaches respect for others. The sixteen-year-old youth Mitrofanushka did not take care of either his mother or his uncle at all, he considered this a self-evident fact: “Why did you overeat henbane, uncle? Yes, I don’t know why you deigned to jump on me. The logical result of rough treatment in the house is the finale, where the son pushes away the loving mother.

The lessons of the comedy "Undergrowth" do not end there. Not so much respect as ignorance shows people in a position that they carefully try to hide. Stupidity and ignorance hover in comedy, like a bird over a nest, they envelop the village, thereby not releasing the inhabitants from their own shackles. The author severely punishes the Prostakovs for their narrow-mindedness, depriving them of their property and the very opportunity to continue their idle lifestyle. Thus, everyone needs to learn, because even the most stable position in society is easy to lose, being an uneducated person.

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“Undergrowth” is a play in five acts, written by Denis Ivanovich Fonvizin. iconic dramatic work XVIII century and one of the most striking examples of classicism. It entered into school curriculum, was repeatedly staged on the stage, received a screen incarnation, and its lines were dismantled into quotes that today live autonomously from the original source, becoming aphorisms of the Russian language.

Plot: a summary of the play “Undergrowth”

The plot of “Undergrowth” is well known to everyone since school years, however, we still recall summary plays to recall the sequence of events.

The action takes place in the village of Prostakov. Its owners - Mrs. and Mr. Prostakov and their son Mitrofanushka - live a quiet life of provincial nobles. Also, the orphan Sofyushka lives on the estate, whom the lady sheltered in her house, but, as it turns out, not out of compassion, but because of the inheritance, which she freely disposes of as a self-proclaimed guardian. In the near future, they plan to give Sophia for Prostakova's brother Taras Skotinin.

The lady's plans are shattered when Sophia receives a letter from her uncle Starodum, who was still considered dead. Stradum is alive and well and goes on a date with his niece, and he also reports a fortune of 10 thousand income, which he inherits from his beloved relative. After such news, Prostakova begins to court Sophia, whom she still has little complained about, because now she wants to marry her to her beloved Mitrofan, and leave Skotinin with nothing.

Fortunately, Starodum turned out to be a noble and honest man, wishing his niece well. Moreover, Sophia already had a betrothed - officer Milon, who had just stopped with his regiment in the village of Prostakov. Starodub knew Milon and gave the young people his blessing.

In desperation, Prostakova tries to organize the abduction of Sophia and forcibly marry her to her son. However, even here the treacherous mistress fails - Milon saves her beloved on the night of the abduction.

Prostakov is generously forgiven and not put on trial, however, her estate, which has long aroused suspicion, is transferred to the state guardian. Everyone is leaving, and even Mitrofanushka leaves her mother, because he does not love her, as, in general, he does not love anyone in the world.

Characteristics of heroes: positive and negative characters

As in any classic work, the characters in "Undergrowth" are clearly divided into positive and negative.

Negative heroes:

Mrs. Prostakova - the mistress of the village;
Mr. Prostakov - her husband;
Mitrofanushka - the son of the Prostakovs, undersized;
Taras Skotinin is the brother of the Prostakovs.

Goodies:

Sophia is an orphan, lives with the Prostakovs;
Starodum is her uncle;
Milon - an officer, Sophia's lover;
Pravdin is a state official who came to control the affairs in the Prostakov village.

Secondary characters:

Tsyfirkin - teacher of arithmetic;
Kuteikin - teacher, former seminarian;
Vralman - a former coachman, pretends to be a teacher;
Eremovna is Mitrofan's nanny.

Mrs. Prostakova

Prostakova is the most striking negative character, and indeed the most outstanding actor plays. She is the mistress of the village of Prostakovs and it is the lady who, having completely suppressed her weak-willed spouse, establishes the lordly order and makes decisions.

However, she is completely ignorant, devoid of manners, often rude. Prostakova, like other members of the family, cannot read and despises science. Mitrofanushka's mother is engaged in the education of Mitrofanushka only because this is how it should be in the New World society, but she does not understand the true value of knowledge.

In addition to ignorance, Prostakova is distinguished by cruelty, deceit, hypocrisy, and envy.

The only creature she loves is her son Mitrofanushka. However, the mother's blind, absurd love only spoils the child, turning him into a copy of himself in a man's dress.

Mr. Prostakov

The figurative owner of the Prostakovs' estate. In fact, everything is led by his imperious wife, whom he is madly afraid of and does not dare to say a word. Prostakov has long lost his own opinion and dignity. He cannot even say whether the caftan sewn by the tailor Trishka for Mitrofan is good or bad, because he is afraid to say something different from what the lady expects.

Mitrofan

Son of the Prostakovs, undersized. In the family, he is affectionately called Mitrofanushka. And, meanwhile, it is time for this young man to enter adulthood, but he has absolutely no idea about it. Mitrofan is spoiled by maternal love, he is capricious, cruel to servants and teachers, pompous, lazy. Despite many years of studying with teachers, the young gentleman is hopelessly stupid, he does not show the slightest desire for learning and knowledge.

And the worst thing is that Mitrofanushka is a terrible egoist, nothing matters to him except his own interests. At the end of the play, he easily leaves his mother, who loved him so unrequitedly. Even she is empty space for him.

Skotinin

Brother of Mrs. Prostakova. Narcissistic, limited, ignorant, cruel and greedy. Taras Skotinin has a great passion for pigs, the rest is of little interest to this narrow-minded person. He has no idea of family ties, cordial affection and love. Describing how well his future wife will live, Skotinin only says that he will provide her with the best lighter. In his system of coordinates, this is where marital happiness lies.

Sofia

Positive female image works. A very well-mannered, kind, meek and compassionate girl. Sophia received a good education, she has an inquisitive mind and a thirst for knowledge. Even in the poisonous atmosphere of the Prostakovs' house, the girl does not become like the owners, but continues to lead the lifestyle that she likes - she reads a lot, thinks, is friendly and polite with everyone.

Starodum

Sophia's uncle and guardian. Starodum is the voice of the author in the play. His speeches are very aphoristic, he talks a lot about life, virtues, mind, law, government, modern society, marriage, love and other pressing issues. Starodum is incredibly wise and noble. Despite the fact that he clearly has a negative attitude towards Prostakova and her ilk, Starodum does not allow himself to stoop to rudeness and overt criticism, and as for light sarcasm, his narrow-minded “relatives” cannot recognize him.

Milon

Sophia's beloved officer. The image of a hero-defender, an ideal young man, husband. He is very fair, does not put up with meanness and lies. Milo was brave, and not only in battle, but also in his speeches. He is devoid of vanity and base prudence. All the “suitors” of Sophia spoke only about her condition, but Milon never mentioned that his betrothed was rich. He sincerely loved Sophia even before she had an inheritance, and therefore, in his choice, the young man was by no means guided by the size of the annual income of the bride.

“I don’t want to study, but I want to get married”: the problem of education in the story

The key problem of the work is the theme of provincial noble upbringing and education. Main character Mitrofanushka gets an education only because it is fashionable and "so wound up." In fact, neither he nor his ignorant mother understand the true purpose of knowledge. They should make a person smarter, better, serve him throughout his life and benefit society. Knowledge is hard-earned and can never be forced into someone's head.

Mitrofan's home education is a dummy, a fiction, a provincial theater. For several years, the unfortunate student did not master either reading or writing. The comic test that Pravdin arranges, Mitrofan fails with a roar, but because of his stupidity he cannot even understand this. He calls the word door an adjective, because they say it is attached to the opening, he confuses science with stories that Vralman tells him in abundance, and Mitrofanushka cannot even pronounce the word “geography” ... too tricky.

To show the grotesqueness of Mitrofan's education, Fonvizin introduces the image of Vralman, who teaches "in French and all the sciences." In fact, Vralman (a surname that speaks!) is not a teacher at all, but a former coachman of Starodum. He easily deceives the ignorant Prostakova and even becomes her favorite, because he professes his own teaching method - not to force the student to do anything by force. With such zeal, as in Mitrofan, the teacher and student are simply idle.

Hand in hand with the acquisition of knowledge and skills goes education. For the most part, Mrs. Prostakova is responsible for it. She methodically imposes her rotten morality on Mitrofan, who (here he is diligent!) perfectly absorbs mother's advice. So, while solving the problem of division, Prostakova advises her son not to share with anyone, but to take everything for himself. Talking about marriage, mother only talks about the wealth of the bride, never mentioning emotional affection and love. Mitrofan is not familiar with such concepts as courage, courage, valor underage. Despite the fact that he is no longer a baby, he is still taken care of in everything. The boy cannot even stand up for himself during a skirmish with his uncle, he immediately starts calling for his mother, and the old nanny Eremeevna rushes at the offender with his fists.

Name meaning: two sides of the coin

The title of the play has a direct and figurative meaning.

The direct meaning of the name
Undergrowth in the old days was called teenagers, young men who had not yet reached the age of majority and had not entered the public service.

The figurative meaning of the name
Undergrowth was also called a fool, an ignoramus, a narrow-minded and uneducated person, regardless of his age. WITH light hand Fonvizin, it is precisely this negative connotation that has become attached to the word in modern Russian.

Every person is reborn from a minor youth into an adult man. This is growing up, the law of nature. However, not everyone turns from a dark undergrowth-half-educated into an educated self-sufficient person. Such transformation requires effort and perseverance.

Place in literature: Russian literature XVIII century → Russian dramaturgy of the XVIII century → Creativity of Denis Ivanovich Fonvizin → 1782 → The play “Undergrowth”.

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“Undergrowth” is a play in five acts, written by Denis Ivanovich Fonvizin. A cult dramatic work of the 18th century and one of the most striking examples of classicism. It entered the school curriculum, was repeatedly staged on the stage, received a screen embodiment, and its lines were dismantled into quotes that today live independently from the original source, becoming aphorisms of the Russian language.

Plot: a summary of the play “Undergrowth”

The plot of “Undergrowth” is well known to everyone since school years, but we still recall the summary of the play in order to restore the sequence of events in memory.

In desperation, Prostakova tries to organize the abduction of Sophia and forcibly marry her to her son. However, even here the treacherous mistress fails - Milon saves her beloved on the night of the abduction.

Characteristics of heroes: positive and negative characters

As in any classic work, the characters in "Undergrowth" are clearly divided into positive and negative.

Negative characters:

Mrs. Prostakova - the mistress of the village;
Mr. Prostakov - her husband;
Mitrofanushka - the son of the Prostakovs, undersized;
Taras Skotinin is the brother of the Prostakovs.

Goodies:

Sophia is an orphan, lives with the Prostakovs;
Starodum is her uncle;
Milon - an officer, Sophia's lover;
Pravdin is a state official who came to control the affairs in the Prostakov village.

Secondary characters:

Tsyfirkin - teacher of arithmetic;
Kuteikin - teacher, former seminarian;
Vralman - a former coachman, pretends to be a teacher;
Eremovna is Mitrofan's nanny.

Mrs. Prostakova

Prostakova is the most striking negative character, and indeed the most prominent character in the play. She is the mistress of the village of Prostakovs and it is the lady who, having completely suppressed her weak-willed spouse, establishes the lordly order and makes decisions.

In addition to ignorance, Prostakova is distinguished by cruelty, deceit, hypocrisy, and envy.

The only creature she loves is her son Mitrofanushka. However, the mother's blind, absurd love only spoils the child, turning him into a copy of himself in a man's dress.

Mr. Prostakov

Mitrofan

Skotinin

Sofia

Positive female image of the work. A very well-mannered, kind, meek and compassionate girl. Sophia received a good education, she has an inquisitive mind and a thirst for knowledge. Even in the poisonous atmosphere of the Prostakovs' house, the girl does not become like the owners, but continues to lead the lifestyle that she likes - she reads a lot, thinks, is friendly and polite with everyone.

Starodum

Milon

“I don’t want to study, but I want to get married”: the problem of education in the story

The key problem of the work is the theme of provincial noble upbringing and education. The protagonist Mitrofanushka gets an education only because it is fashionable and “so established”. In fact, neither he nor his ignorant mother understand the true purpose of knowledge. They should make a person smarter, better, serve him throughout his life and benefit society. Knowledge is hard-earned and can never be forced into someone's head.

Name meaning: two sides of the coin

The title of the play has a direct and figurative meaning.

The direct meaning of the name
Undergrowth in the old days was called teenagers, young men who had not yet reached the age of majority and had not entered the public service.

The figurative meaning of the name
Undergrowth was also called a fool, an ignoramus, a narrow-minded and uneducated person, regardless of his age. With the light hand of Fonvizin, it was precisely this negative connotation that was attached to the word in modern Russian.

Place in literature: Russian literature of the 18th century → Russian drama of the 18th century → The work of Denis Ivanovich Fonvizin → 1782 → The play “Undergrowth”.