No.
It is not true.
No!
And you?
Darling,
for what,
for what?!
Fine -
I went,
I gave flowers
I didn’t steal the silver spoons from the box!
White,
staggered from the fifth floor.
The wind burned my cheeks.
The street swirled, squealing and neighing.
Lustfully he climbed horn on horn.
Raised above the bustle of the capital's stupor
strict -
ancient icons -
brow
On your body - like on your deathbed -
heart
days
cum.
You didn’t get your hands dirty in brutal murder.
You
only dropped:
"In a soft bed
He,
fruits,
wine on the palm of the night table.”
Love!
Only in mine
inflamed
the brain was you!
Stop the stupid comedy!
Look -
tearing off toys-armor
I,
the greatest Don Quixote!
Remember:
under the burden of the cross
Christ
give me a sec
became tired.
The crowd shouted:
“Marala!
Maaarraaala!”
Right!
Everyone
Who
pray for rest,
spit on his spring day!
Armies of ascetics doomed to volunteers
There is no mercy from man!
Enough!
Now -
I swear by my pagan power! -
give
any
beautiful,
young, -
I won’t waste my soul,
I'll rape you
and I will spit mockery into her heart!
An eye for an eye!
Sow revenge and reap a thousandfold!
In each ear:
the whole earth -
convict
with a head half shaved by the sun!
An eye for an eye!
You will kill
bury -
I'll dig out!
The knives will still be sharpened on the stone!
I’ll hide under the barracks bunks like a dog!
Will,
mad,
bite into the knives,
smelling of sweat and bazaar.
Jump up at night!
I
called!
A white bull rose above the ground:
Mooooo!
The neck-ulcer is tortured in the yoke,
there is a tornado of flies over the ulcer.
I'll turn into a moose
into the wires
I'll entangle my branchy head
with bloodshot eyes.
Yes!
As a hunted beast I will stand above the world.
The man can't escape!
Prayer at the mouth, -
He lay down on the slabs, begging and dirty.
I will take
I'll paint
to the royal gates
on God's face Razin.
Sun! Don't throw any rays!
Dry, rivers, without letting him quench my thirst, -
so that my students are born in thousands
trumpet anathema from the squares!
And when,
finally,
becoming the top for centuries,
the last day will come to them, -
in the black souls of murderers and anarchists
I will light up with a bloody vision!
It's getting light.
The mouth of the sky opens wider and wider.
He drinks sip after sip at night.
There is a glow from the windows.
Heat flows from the windows.
From the windows the thick sun pours onto the sleeping city.
My holy revenge!
Again
above the street dust
lead the lines upward with steps!
Heart full to the brim
I'll pour it out
in confession!
The coming people!
Who you are?
Here I am,
all
pain and bruise.
I bequeath to you an orchard
my great soul.
To all.
Analysis of Mayakovsky's poem "To Everything"
Mayakovsky regrets the betrayal of his beloved. He looked after her, gave her flowers, tried to make her happy. She was a symbol of life for him. It was as if she had killed him. And “dying”, he remembers the Bible. He wants to turn to the Devil in order to exact imaginary revenge on his beloved, but he cools down and shows that love may have died in him, but kindness remains.
Vladimir Mayakovsky
"To all"
No.
It is not true.
No!
And you?
Darling,
for what,
for what?!
Fine -
I went,
I gave flowers
I didn’t steal the silver spoons from the box!
White,
staggered from the fifth floor.
The wind burned my cheeks.
The street swirled, squealing and neighing.
Lustfully he climbed horn on horn.
Raised above the bustle of the capital's stupor
strict -
ancient icons -
brow
On your body - like on your deathbed -
heart
days
cum.
You didn’t get your hands dirty in brutal murder.
You
only dropped:
"In a soft bed
He,
fruits,
wine on the palm of the night table.”
Love!
Only in mine
inflamed
the brain was you!
Stop the stupid comedy!
Look -
tearing off toys-armor
I.
the greatest Don Quixote!
Remember:
under the burden of the cross
Christ
give me a sec
became tired.
74
The crowd shouted:
“Marala!
Maaarraaala!”
Right!
Everyone
Who
pray for rest,
spit on his spring day!
Army of devotees, doomed volunteers
There is no mercy from man!
Enough!
Now -
I swear by my pagan power! -
give
any
beautiful,
young, -
I won’t waste my soul,
I'll rape you
and I will spit mockery into her heart!
An eye for an eye!
Sow revenge a thousandfold!
In each ear:
the whole earth -
convict
with a head half shaved by the sun!
An eye for an eye!
You will kill
bury -
I'll dig out!
The knives will still be sharpened on the stone!
I’ll hide under the barracks bunks like a dog!
Will,
mad,
bite into the knives,
smelling of sweat and bazaar.
Jump up at night!
I
called!
A white bull rose above the ground;
Mooooo!
The neck-ulcer is tortured in the yoke,
there is a tornado of flies over the ulcer.
I'll turn into a moose
into the wires
I'll entangle my branchy head
with bloodshot eyes.
Yes!
As a hunted beast I will stand above the world.
The man can't escape!
Prayer at the mouth, -
He lay down on the slabs, begging and dirty.
I will take
I'll paint
to the royal gates
on God's face Razin.
Sun! Don't throw any rays!
Dry, rivers, without letting him quench my thirst, -
so that my students are born in thousands
trumpet anathema from the squares!
And when,
finally,
becoming the top for centuries,
the last day will come to them, -
in the black souls of murderers and anarchists
I will light up with a bloody vision!
It's getting light.
The sky's mouth opens wider and wider.
Night
he drinks sip after sip.
There is a glow from the windows.
Heat flows from the windows.
From the windows the thick sun pours onto the sleeping city.
My holy revenge!
Again
above the street dust
lead the lines upward with steps!
Heart full to the brim
I'll pour it out
in confession!
The coming people!
Who you are?
Here I am,
all
pain and bruise.
I bequeath to you an orchard
my great soul.
The poem "Here!" was written in 1913. In this work, the lyrical hero is completely alone. He is forced to be surrounded by “fat” ordinary people who do not care about poetry. This is one of the poet's most sarcastic works.
First stanza: contrast between people and the lyrical hero
Analysis of the poem “Here!” Mayakovsky shows that one of the main artistic techniques used by Mayakovsky in his work “Here!” - this is the antithesis. Even the catchy title of the poem speaks about his character. The lyrical hero in Mayakovsky's early works almost always contrasts himself with the world around him. He tries to look at reality from the outside, and everything that this look evokes in him is horror. The lyrical hero is a romantic, and the flabby world is opposed to him. This is emphasized through the use of pronouns “I” - “we”, which are contrasted quite contrastingly in the structure of the work.
Features of the second stanza: unusual comparisons
Carrying out further analysis of the poem “Here!” Mayakovsky, a schoolboy can talk about the content of the next stanza. It is different in that it describes not only the deafness of the listeners to what the poet said. People are starting to change their appearance. For example, because of his sloppy behavior, a man becomes like a pig, a woman - like an oyster. Here you can see that behind these words, which at first glance seem like ordinary insults, is the poet’s desire to point out the limitations of ordinary people. After all, the oyster always sits in its shell, and it cannot see what is happening outside its little world.
The whitewash that thickly covers the heroine's face evokes an association with a doll. The woman does not hear what the lyrical hero is telling her. She looks like a doll with a beautiful appearance and a completely empty inner world.
Third stanza: confrontation between people and the lyrical hero
Further analysis of the poem “Here!” Mayakovsky shows that here this opposition reaches its culmination. The irregular form used by Mayakovsky in the expression “butterfly of the poet’s heart” is intended to emphasize the vulnerability of poetry before the judgment of the crowd. Having become brutal, she threatens to trample the lyrical hero. To describe the crowd, Mayakovsky uses the epithet “dirty.” The very image of a crowd of people is created by the poet with the help of just one detail - galoshes. With the help of this characteristic, the poet creates a rather down-to-earth image.
Antithesis in the work
The city itself also opposes the lyrical hero, which is emphasized with the help of the antonyms “clean” - “dirty”. This fact can also be indicated when analyzing the poem “Here!” Mayakovsky. The lane is beautiful in the morning because it is clean. But gradually passers-by crawl out of their houses and begin to dirty it. Mayakovsky writes: “Your flabby fat will flow out over a person.” At this point the poet uses the shocking method. This can also be indicated by conducting a brief analysis of the poem “Here!” Mayakovsky according to plan. He wants to anger his reader, to shock him. At the same time, the poet wants to make us think about real values, which cannot be replaced by external beauty.
Mayakovsky is irritated by well-fed and complacent people who are dressed up and painted. Indeed, under this decent appearance, as if behind a mask, hide vile and evil souls. Their internal state, unfortunately, cannot be replaced by their appearance.
Each resident of the city lives and goes his own way. He doesn’t care what the lyrical hero of the work thinks and feels. He finds himself deprived of the attention of other people. Perhaps this is why Mayakovsky’s lyrical hero would like to hurt the residents of the city as painfully as possible.
Fourth stanza: conflict resolution
Conducting a brief analysis of the poem “Here!” V.V. Mayakovsky, the student can indicate: this part has five lines, not four, as in the previous ones. The poet writes that if he wants, he will “spit in the face” of the crowd. And perhaps this is the only way to resolve the conflict existing between the poet and the crowd. The lyrical hero feels completely misunderstood and lonely.
In his work, Mayakovsky talks about those values that belong to a higher order. This is the spiritual side of human life, happiness and sorrow. First of all, poetry is called upon to bring these values to life. Almost the entire arsenal of sublime artistic means turns out to be dedicated specifically to her (“poems of boxes”, “butterfly of a poet’s heart”).
Analysis of the poem “Here!” V. V. Mayakovsky: poet and crowd
Often critics believed that Mayakovsky's early work was too selfish. But the important point is that Vladimir Vladimirovich opposed society not to himself as an individual, but to the type of poetic personality - any human being who is gifted philosophically. At the beginning of his work, the poet peers at the faces of passers-by, but then they all merge into one. When Mayakovsky speaks of a crowd that will “go wild” and of a “hundred-headed louse,” the reader may feel a reference to a certain literary tradition.
What can await someone who opposes himself to society?
Analysis of the poem “Here!” Vladimir Mayakovsky is one of the best examples of the poet’s sarcastic creativity. However, such irony does not always lead to good things. A thoughtful reader may involuntarily recall the main character of the work “Crime and Punishment” by F. M. Dostoevsky, Raskolnikov. He divided all of humanity into two types: “trembling creatures” and more worthy ones - “those with the right.” For those who belong to the first category, life is destined for a miserable existence in the midst of everyday problems and endless bustle. And for others the sea is knee-deep - there are absolutely no laws for them. And the reader knows from Dostoevsky’s work what such tendencies can lead to. But the position of “master of life” turns out to be too tempting for many.
In this respect, the poet becomes similar to Raskolnikov. He despises people as a pathetic crowd; they seem to him evil and completely insignificant. On the other hand, the poet turns out to be very easily wounded - after all, his heart is comparable to a butterfly. In many of Mayakovsky's works, the lyrical hero has the courage to challenge the crowd. However, in this poem he is overcome by a feeling of a different kind - and it is rather horror.
The work belongs to the late work of the poet and is essentially unfinished, created only as an introduction, but, according to literary scholars, can be considered a full-fledged work.
Essay Analysis of the poem Cloud in Mayakovsky's pants (poem)
Initially, the poem had a different title, “The Thirteen Apostles.” Mayakovsky saw himself as the thirteenth apostle. But the censor did not let it through. And the name had to be changed
Analysis of Mayakovsky's poem Good
Vladimir Mayakovsky is a patriot of his country, Russia. That is why they consider him that way, because he carries himself that way. For example, in his works, he always speaks out in favor of the people
Analysis of Mayakovsky's poem The Satisfied
Vladimir Mayakovsky is a famous Soviet and Russian poet of the 20th century. The direction of his vibrant creativity was futurism, which captured many young poets at that time.
Analysis of Mayakovsky's poem Nate!
At the border of the 19th and 20th centuries, everything changes, and, of course, literature as well, and especially poetry. Mayakovsky arrived at precisely this time with his changes in poetry. By nature, this person is very unusual, strong and a little rude.
Analysis of Mayakovsky's poem About rubbish
Beginning with the opening lines of the poem, Mayakovsky hints that he has no aversion to people of the lower class. Describing philistinism, the poet means people who think only about themselves
Analysis of Mayakovsky's poem Yubileiny
The name of the poem “Anniversary” is associated with the year of writing - 1924, that is, with the 125th anniversary of the birth of A.S. Pushkin. It is to this poet that Mayakovsky addresses in his monologue
Analysis of Mayakovsky's poem Could you?
Mayakovsky is a talented and very unusual person. It is precisely because of this that his poems, and his works in general, are very unusual, since his character and irony sometimes often manifested themselves in his works.
Analysis of Mayakovsky's poem Lilichka
“Lilichka” is an inexpressibly poignant, sad and at the same time touching poem, written by the author on a May day in 1916.
Analysis of Mayakovsky's poem Listen!
This poem became a kind of impetus for people who had somehow lost faith in themselves and lost their way. Mayakovsky introduces God into the poem, but he is not an imaginary being
Analysis of Mayakovsky's poem A good attitude towards horses
Mayakovsky was an extraordinary personality and an outstanding poet. He often raised simple human themes in his works. One of them is pity and concern for the fate of a horse that fell in the middle of the square, in his poem “A Good Treatment for Horses.”
Analysis of Mayakovsky's poem Night
Russian literature at the beginning of the 20th century was distinguished by the emergence of various kinds of trends; futurism is one of the current movements of the time. The not so public young lyricist Mayakovsky considered himself a representative of this trend.
Analysis of Mayakovsky's poem I Love
Mayakovsky's lyrics, in general, are characterized by strong feelings, feelings of love, hatred, vivid comparisons, and many exclamations. Moreover, in the poem entitled Love. The poem is somewhat autobiographical
The twentieth century in Russia was a time of two world wars, three revolutions, a Civil War, a number of victories that influenced world history, and almost a smaller number of tragedies that brought untold suffering to the people. However, our country has endured all these trials, largely thanks to the spiritual culture that has been formed for centuries in the depths of the people and is embodied in national folklore, Orthodoxy, Russian philosophy, literature, music, and painting.
The Golden Age of Russian literature was in the distant past, and at the beginning of the twentieth century it was replaced by the Silver Age. The specificity of this period can be considered the active interaction of different arts, however futurism, which includes the work of Vladimir Mayakovsky, laid claim to the birth of super art capable of transforming the world. New art required new ways of expression. The main method was shocking. These are biting names, harsh assessments, and incentives to action.
But the main thing is that futurism aimed at changing the language. Futurists did not stand on ceremony with the word: it was objectified, it could be crushed, altered, new combinations could be created from these fragmented, destroyed words. Some futurists went headlong into this experiment, but not Vladimir Mayakovsky. Having created a fundamentally new tonic verse, he did not abandon the true meaning of the word. Therefore, his poems are full of vivid images, unusual means, but most of all - ideas.
In 1916, when Russia was in a state of unfinished war, Mayakovsky writes poem "Tired". Judging by the title and date of writing, the work must clearly be related to the war. What can get boring during war? Death of people, injuries, hunger, devastation... However, the first lines of the poem unexpectedly turn the reader to the names of the great classics: "Annensky, Tyutchev, Fet". Obviously, having read the imperishable works of these poets, the hero, “driven by longing for people”, goes to cinemas, taverns, cafes. But is it possible to find a person in these places? Hoping to still see him, the lyrical hero looks around, although “fear screams from the heart” And “darting around the face, hopeless and boring”.
...unknown either on land or in the depths of the waters,
diligently working on a calf's leg
a most mysterious creature.
In the process of endlessly absorbing food (this is at a time when millions of soldiers at the front were starving), this creature turns into “two arshins of faceless pink dough”. The worst thing is that everything around is simply teeming with similar specimens, and this leads the hero to a disappointing conclusion: "No people". Perhaps this phrase can be considered main idea poems. But the hero goes further in his reasoning. In despair from a feeling of loneliness, in longing for humanity and beauty, the hero turns to the entire city. He is ready not only to throw himself on the ground, bleeding his face "bark of stone" “washing the asphalt with tears”. The hero wants to escape from this crowd, where they don’t understand "the cry of a thousand days of torment".
Seen at a table in a cafe "image" It is difficult to call a person who should be endowed with reason, and not with an eternal desire to fill his womb. And then, in an effort to find at least some living soul “lips weary of caresses” the hero is ready "a thousand kisses" cover by "smart tram face".
He finds salvation in the house, because, as you know, my home is my fortress:
I'll go home.
I'll stick to the wallpaper.
There, even the tea rose on the wallpaper of the room seems to be a more suitable listener and interlocutor than the humanoid creatures he saw, and to her, and not to them, he is ready to read his poems.
As a kind of output, it publishes the final lines, which is called "for history":
When everyone is settled in heaven and hell,
the earth will be summed up -
remember:
in 1916
Beautiful people disappeared from Petrograd.
It is sad to realize that in the most difficult years of severe trials, the poet Vladimir Mayakovsky did not find people around who were beautiful, first of all, with souls. And then the title of the poem becomes completely clear: "tired" calling for conscience, tired of knocking on an open door, tired of looking for real people!
